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ABORIGINAL VOICES
In Zürich's underground, the duo Aboriginal Voices caused a stir at that time. A couple, good-looking, styled, looking cool into the cold neon light, with a danceable beat and sequenced electro sounds, to which Micheline gave a very unique touch when she sang in French and English. Micheline had a classical piano education, had left home early, worked as a lighting technician in a strip joint and at Booster, the hottest boutique in town (one of the relicts that still exists). Voilà: a musician who was as stylish as she was tough. She was already playing with Wüste (Ex Nasal Boys & Expo) in the band "Doobie Doos", a band where everyone played an instrument they didn't master. In 1980 the Aboriginal Voices were formed, initially with vocalist Magda Vogel (of later UnknownmiX fame), who was trained as a classical singer.
Frustrated by organizational friction and constant hassles with band lineups, Wüste and Misch decided to do everything as a twosome: self-mixed, self-styled, self-produced. With the top-of-the-line Linn drum machine clocking the beat, Wüste's guitar and Micheline on the Yamaha synthesizer created a unique sound of danceable electronic music. Whereby the Aboriginal Voices acted as a kind of proto-influencer, receiving the latest equipment to try out, especially since they made it a point not to work with tapes, but to design everything for live shows. They had an interface built for the legendary Roland MC-4B, who sequenced the modular Roland System 100M but where one output controlled a light show synchronized with the sound. A pioneering act that fit well into the DIY spirit of punk, with its self-distributed tapes and fuck-you attitude towards the cretins of the music industry. Consequently only two cassettes and an EP were released. There was something futuristic about the sound, the vestiary style and the electronics, while the attitude remained rebellious. Of course something so deeped in the Zeitgeist wasn't meant to last. Wüste moved to New York, Micheline stayed in Zurich, both still active in the music scene to this day.
Written, recorded and produced by Aboriginal Voices,
Micheline (Pfister) and Wüste (Heinrich Zwahlen) 1982 in Zurich.
Edited and polished 2021 by Wüste in NYC.
Edition of 300 copies only, sold out at the label already!
Titel: Instant Music
Stil: Swisspostpunk
Best-Nr.: BBR002-LP
Typ: LP
Preis: 28.- CHF
Wichtige Mitteilung für Kunden ausserhalb der Schweiz oder Liechtenstein
Unser Schallplattensortiment wird seit 1993 in unserem Laden in St. Gallen (Schweiz) gepflegt.
Aus logistischen Gründen können wir leider keine Schallplatten mehr direkt an Kunden in Deutschland, Österreich und andere Länder liefern.
Wenn Du unbedingt eine unserer Platten bestellen möchtest, dann wende dich an einen Freund/in in der Schweiz oder Liechtenstein,
welche/r die Bestellung für dich tätigt und die Schallplatten für dich dort direkt entgegen nimmt.
Danke für dein Verständnis.
Nochmals klargestellt:
Bitte uns keine Anfragen per Mail etc. zusenden
ob wir nicht doch nach Deutschland liefern können,
wir können leider nicht.
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Songs:
A
AUTOMATIC
LOOPS
GARDENS OF DELIGHT
EQUAL
DISTANT STAR
B
SWITCH'N'PLAY
LE JOUR L'ENNUIE
MY DESTINATION
USE IT
INSTRUMENTAL
Weitere Platten zum Musikstil Swisspostpunk
Bestsellers des Musikstils Swisspostpunk
Weitere Platten von ABORIGINAL VOICES
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oder meinen Lieben gleich jetzt schon zeigen... ***
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Ach ja, das kaufen andere Klang und Kleid Kunden ein, die auch
ABORIGINAL VOICES gekauft haben :)
Mal in der Nähe von St.Gallen...
und Du kennst unsere Plattenabteilung noch nicht? Dann nichts wie los!
In unserem neuen
Laden
an der Kugelgasse 5 und Brühlgasse 18
haben wir für Dich einige tausend Scheiben zum Anfassen und
Reinhören! :)
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